• HOME
  • ABOUT
  • JOURNAL
  • WORKSHOPS
  • PRESS
  • SHOP
  • CONTACT
  • Menu Item
  • Menu Item
  • CART

Pinky & Maurice

Contemporary Ceramics

November 10, 2016 by Claire Atkins 3 Comments

The Secret Life of Pots

Jack Doherty is an Irish potter based in Mousehole, a fishing village on the south western tip of Cornwall. And, although he was born into a family of fishermen, sailors and boat-builders, he vividly remembers his grandmother announce to the family that he would never go to sea.

His grandmother’s words proved prophetic and Jack became an artist – a maker of things instead. [Read more…]

Filed Under: blog post Tagged With: Ceramics, Cornwall, ICMEA, Irish, Jack Doherty, Janet Mansfield Memorial Award, potter, soda firing

September 10, 2016 by Claire Atkins Leave a Comment

Multiply Life by the Power of Two

The ‘Power of Two’ is one of my all time favourite songs by the Indigo Girls. My sister and I would sing it together when we were younger and fantasise about driving around the country in a Volkswagon campervan being singer songwriter rockstars.

It’s a love song, but I catch myself humming it whenever I’m working alongside another artist or working on a community arts project, and if you think about it, all creative projects are labours of love, so a love song is completely appropriate. Like many potters I usually work alone in the studio, and I’m used to it, but there’s nothing better than bouncing around creative ideas with kindred spirits and running with them in full flight together.

jac553_smiling

Vicki Grima, editor of  The Journal of Australian Ceramics – my new partner in crime 😉

[Read more…]

Filed Under: blog post Tagged With: adriana christianson, australian ceramics, Ayumi Horie, Ceramics, Claire Atkins, collaboration, Flying Saucer Show, Indigo Girls, North Coast Mud Trail, Pinky & Maurice, potter, pottery, power of two, Sugarmill Studio, the cup collaboration, Vicki Grima

April 22, 2016 by Claire Atkins Leave a Comment

Part II – Mai kumhari hu : I am a potter

For ten days in February 2016 I travelled through India to meet traditional Rajasthani potters with a small group of clay enthusiasts led by Australian potter Sandra Bowkett.

At the end of our tour, on the Yamana River between the Holy City Vrindavan and Delhi, Sandra asked me if I missed anything back home. Her words, and the adventure she led us on inspired the short story below.

[Read more…]

Filed Under: blog post Tagged With: Ceramics, Claire Atkins, crosshatched123, Delhi, I am a potter, India, inspiration, Mai kumhari hu, pinky and maurice, potter, pottery, Rajasthan, Sandra Bowkett, story, travel

March 14, 2016 by Claire Atkins 8 Comments

Mai kumhari hu : I am a potter

My story begins at the end of my tale as I’m settling into my seat on flight SQ403 from Delhi to Singapore.

It’s almost 10pm at night and the plane is packed, but for the first time in over two weeks of travel through Rajasthan with a group of potters, I feel like I’m on my own.

[Read more…]

Filed Under: blog post Tagged With: creativity, crosshatched123, Delhi, I am a potter, India, inspiration, Mai kumhari hu, matka, Old Delhi, pinky and maurice, pots, potter, pottery, Rajasthan, story, travel

October 6, 2015 by Claire Atkins Leave a Comment

Spice Up Your Art Life!

In May 2016, I’m leading a group to be part of an inspiring workshop ‘Food Meets Plate’, at Gaya Ceramic Arts Centre in Ubud, Bali.

Hosted by American potter Hillary Kane, it will be a South East Asian odyssey for clay lovers and food enthusiasts, that is set to enliven your senses and spice up your creative practice! 

If you’re just tuning in, catch up on my conversations with our workshop host Hillary Kane, here, and with Bruce McWhinney, Australian potter and the creator of our inspiring Ubud accommodation here. 

Today I caught up with ceramic artist Vicki Grima, who has attended three workshops at Gaya!

4909182597_5587950ab7_b

Vicki Grima is a tour-de force, and for the last ten years she has managed to squeeze her ceramics practice between demanding positions as Editor of The Journal of Australian Ceramics and Executive Officer of The Australian Ceramics Association. 

In these roles she shines a bright spotlight on the diversity of contemporary Australian ceramics and shares it with a global audience daily. She says however, the occasions are rare when she can spend time in her peaceful Sydney studio, so you can imagine, that going on retreat and filling up the creative well is an important part of Vicki’s calendar. 

4909181681_abd1f22819_b

‘…my times in Bali have been an indulgence in what I love most – to sit with a ball of clay ; no rush, no pressure, just me and the clay…’ Vicki Grima

Claire Atkins: Thank you for joining me here Vicki!

Recently I’ve been speaking with artists on the blog about the workshop ‘Food Meets Plate’ at Gaya Ceramic Arts Centre, and for each artist, travel impacts in various ways on their creativity. In what ways does travel affect you creatively?

Vicki Grima: Travel brings new colours, textures, smells and tastes into my world… an abrupt disruption to my normal day-to-day pattern. I love visiting new places and seeing how lives are lived on a daily basis – how people shop, cook, and move in their landscape. Architecture too is a fascination for me.

4909788808_0a30bf51a7_b

‘The workshops at Gaya are about exploring the unknown, being creative and learning new skills…’ Vicki Grima

You have been to three workshops at Gaya! What is it that keeps calling you back?

My first visit to Bali and Gaya Ceramic Art Centre came through an invitation from Gaya CAC for me to gather a group of potters together. I had never been to Bali, so it was a perfect opportunity for me personally to explore a new place.

I recall choosing the ‘Culinary Clay’ workshop as I thought there could be no better way to immerse myself in Bali than to explore two of my passions – clay and food – in this place I had heard so much about.

Markets_Ubud

Between visiting the local food markets at dawn, to joining local families in their home kitchens, and tasting food that was cooked using a wide array of spices and herbs new to us, we also made pots inspired by the fruits, vegetables, herbs and spices.

4909214833_088382f18b_b

4909173633_ca3bdd1575_b

4909784436_7c7793f6e9_b

It was a vibrant, diverse and exciting experience, so much so that I have returned twice more. My second and third trips were to explore woodfiring, another of Gaya CAC’s creative offerings.

My own ceramics practice of making small pinch pots has been enhanced by workshops at Gaya. It allowed me to use different clay bodies and fire with local timbers in an anagama kiln, whilst also being inspired by the multitude of rich patterns and textures in the surrounding landscape.

4909188451_e342217a47_b

I have a busy job as editor of The Journal of Australian Ceramics, and it means my studio practice has suffered, so my times in Bali have been an indulgence in what I love most – to sit with a ball of clay; no rush, no pressure, just me and the clay. The people, the food, the culture and the landscapes are unique and I love it.

4909774632_2b4600738a_b

Gaya’s May 2016 workshop, ‘Food Meets Plate’ focuses on the relationship between food and handmade ceramics. ‘Culinary Clay’ shared a similar focus, from that experience, who do you think would suit this workshop?

The workshop is suited to those with a passion for food and clay, together with an inquisitiveness to explore the connections between the two.

4909190687_d57bc94593_b

The knowledgeable team at Gaya cater for all levels of ceramics experience from beginners to more advanced in a gorgeous handbuilt workshop space. With a local cook preparing the daily lunches the immersion in clay and food is complete in every sense. Workshops are about exploring the unknown, being creative and learning new skills.

That is all possible at Gaya.

morning tea_gaya_ceramics

‘The workshop is suited to those with a passion for food and clay, together with an inquisitiveness to explore the connections between the two…’ Vicki Grima

Curious? Inspired? I am! There are still places available in this workshop, and I would love you to join me!

Click the link and head over to the workshop page now for full details and exclusive Early Bird specials when you book through me.

Meanwhile, stay tuned for next week’s delicious blog offering!

Filed Under: blog post Tagged With: Australian Ceramics Association, Bali, creativity, curiosity, Gaya Ceramic Art Centre, Journal of Australian Ceramics, potter, retreat, Ubud, Vicki Grima, workshop

September 29, 2015 by Claire Atkins Leave a Comment

An Art Villa in Ubud

I’m leading a group to Ubud in May 2016, for the clay-bending-mouth-watering workshop, ‘Food Meets Plate’ at Gaya Ceramic Art Centre.  This month we’re meeting some of the inspiring artists whose knowledge and vision will turn our time in Bali from a trip into a transformative experience. 

Last week I spoke to our workshop host Hillary Kane, and if you’re just joining us, catch up on our conversation Creative Callings.

This week we’re checking out the workshop accommodation, at the inspiring, art-filled guest house ‘Ubud ArtVilla‘, owned by Australian ceramic artist Bruce McWhinney.

Ubud_ArtVilla

Ubud ArtVilla at night

Bruce McWhinney is an Australian artist with over 30 years experience in ceramics. Nature and travel have been the main inspiration for his work; be it wood fired ceramics, sculpture, painting or drawing. 

I met Bruce about 15 years ago when I was a student at Brookvale TAFE, where Bruce and a group of exceptional designers and potters were building a dynamic ceramics department on Sydney’s Northern Beaches. Brookvale TAFE continues to thrive, and while Bruce is as passionate as ever about Australian Arts education, his vision now incorporates a much wider classroom that includes building creative communities in other parts of the world…and Bruce is literally building them.

IMG_6143

Stunning garden design links sculptures and architecture throughout the villa

One such project is Ubud ArtVilla, a unique guesthouse in the quiet hamlet of Penestanan, just minutes from the bustling town of Ubud.

Here the concept is to infuse hospitality with Bruce’s long time love for Balinese arts and culture. In this place each day, guests soak up stunning architectural design, idyllic gardens, wood fired ceramics, paintings, drawings, and sculptures at every turn.

ArtVilla is managed and operated by Wayan Suparta and his family, who bring local knowledge and Balinese custom to every moment, enabling guests to discover the real traditions and culture of Bali during their stay. ArtVilla is the perfect place for anyone who is seeking to revitalise or woo their inner artist, and for two weeks in May 2016, Ubud ArtVilla will be home-sweet-home for ‘Food Meets Plate’ workshop participants.

img_0056

Ubud ArtVilla’s lap pool looks out to Mt Agung

Claire Atkins: Hi Bruce! I had the pleasure of staying at Ubud ArtVilla last year while I attended a workshop at Gaya. I have to say, that living with and using your woodfired ceramics every day was one of the best parts about staying at ArtVilla. Each morning, breakfast was served on stunning ceramic pieces that quietly called for our consideration. Do you think that living with handmade ceramics affects us?

Bruce McWhinney: Woodfired ceramics for me is the ultimate expression of working with clay and fire. The spontaneous effects coming from the fire on each piece is quite individual and embue the work with a human warmth that makes using it a daily joy. What I love most is that I never tire of the work and it keeps me captivated by the evidence of nature.

p1000857

Bruce McWhinney ceramics

Can you describe your design process, and is your approach different when you’re making ceramic pieces intended for food?

Making tableware is very much about understanding the function of each piece. One can only be a good functional potter if they use their work and learn what makes it a pleasure to use and live with. After decades of making ceramics, my forms have been pared right back to the simplest possible. This allows space for the fire to complete the piece and also gives a calm reassuring presence about them. Teapots must pour, cups must be easy to hold with a lip that feels good up against one’s mouth, and plates should provide a smooth finish. Having said that, while I strive to give the most, it often takes time to appreciate what is there in each piece. But so it is in life and art.

img_1539

Traditional ‘Bali kopi’ served in Bruce’s woodfired ceramics, is a daily ritual at Ubud ArtVilla

You divide your year working and living in Australia and Bali, with residencies throughout the world thrown in! How has travel, and living so intimately with the Balinese impacted your own art practice?

This is a big question. Bali has provided a cultural retreat where I can make work and share it with people from all around the world. My aim in building the ArtVilla was to create a place where people could experience living with hand made things and discover the joys of using wood-fired ceramics. Bali has taught me patience, detachment and to see the funny side of life. Things do not always go according to plan but the caring nature of the Balinese makes it all worthwhile. Travel is a passion but being able to work in different places makes it immensely more rewarding. When doing residencies one is privileged to experience life as an insider. I get to know people over a longer period, and hopefully share our different experiences of the world. Sightseeing is fun but it doesn’t sustain me in the same way.

Bruce_McWhinney_Studio

Bruce in the studio

What do you hope your guests will experience at Ubud Art Villa? 

What I would hope for is that people coming to ArtVilla would experience Bali from the inside. Connecting to the culture and traditions of Bali is made easy through Wayan and his family who staff ArtVilla. Combine that with the joy of making pots at Gaya, and discovering the local food and gastronomy would be a great thing. But, staying at ArtVilla would also mean extending the experience by using, learning about, and living with woodfired ceramics every day.

Thank you so much for joining us Bruce.

So, what do you think?! Will you join us? Visit the workshop page now for Early Bird fees, Ubud ArtVilla accommodation, and booking details. Private room options at ArtVilla and Art Manor are limited, so please don’t delay in contacting me to secure your place as bookings are rolling in!

Be sure to join me next week when I’m talking food and Bali with the indefatigable Janet De Neefe! Janet is the founder and Director of the Ubud Food Festival, the Ubud Writers and Readers Festival, she’s also an author, a mother of four children, aaaand the owner of some of Ubud’s best restaurants and bars! 

Filed Under: blog post Tagged With: architecture, artists retreat, Bali, Bruce McWhinney, Ceramics, creative, creativity, garden, Gaya Ceramic Arts Centre, potter, pottery, travel, Ubud, Ubud ArtVilla, woodfired, workshop

September 22, 2015 by Claire Atkins 2 Comments

Creative Callings

Many of us spend our days alone in a studio, and as much as we relish the solitude and energy of our own creative spaces, many artists, writers and thinkers have long felt the creative benefits of travel. Simply placing yourself in a new setting can be enough to give you a creative boost. Even neuroscientists examining our grey matter have concluded that new sounds, smells, language, tastes, sensations and sights, spark different synapses in the brain and have the potential to completely revitalize the mind.

Last year I was part of a wood-firing workshop at the Gaya Ceramics and Art Center in Ubud, Bali. For two weeks we immersed ourselves in Balinese culture and worked intensely to produce enough pots to fill a fire-breathing dragon, and the results were like nothing we had ever made before.

Gyan_Wall_and_Hillary_Kane_pack_Bali_Gama

Gyan Wall and Hillary Kane pack the ‘Baligama’ – our fire breathing dragon

Next year I’m off to Gaya again, but this time I’d like you to come with me. From 15-28 May, 2016, I’ll lead a small group of clay enthusiasts to be part of ‘Food Meets Plate’, a workshop that will inspire any clay-lover with an interest in the intimate relationship between food and the vessel. The two-week workshop will culminate in a feast of the senses at Ubud’s International Food Festival! Tempted? Yes, much? Read on!

First, let me introduce you to Hillary Kane, Director of Gaya Ceramics and Art Centre and our inspiring workshop host.

Hillary_Kane

Hillary Kane

Hillary Kane is a potter, painter, teacher, mother, and nomad. Travel and work has led her to claim residence in several continents and innumerable countries. Inevitably, the artistic culture of each has imparted an indelible influence upon her work and continues to be an endless source of inspiration. Educated in the United States and France, she now lives in Bali with her husband and her twin daughters.

Claire Atkins: Hillary, you have such a great personal story and you really pack it in, when I met you last year I thought, what the hell have I been doing with my time? Tell me, how did a young American woman come to live, launch and direct a thriving art centre in Bali?

Hillary Kane: Seven years ago, I took a leap of faith and headed off from a tiny mountain town in the American south-west to Japan to follow my aesthetic calling in Ceramics. At the time, I would never have imagined that it would lead to establishing the Gaya Ceramic Arts Centre (GCAC) and a life thoroughly settled in Bali. 

However, my airline ticket was very deliberately one-way. I was ready to welcome the signs and serendipities as they came, and I found myself departing Japan after two months, swollen with inspiration, yet venturing toward another opportunity and another culture altogether.  I set foot in Bali aiming to spend a year teaching, when unexpectedly another door opened at Gaya Ceramic and Design. From the moment I met the studio crew and the effusively generous Italian founders (both ceramic artists themselves), I knew the connection was a strong one.  Within a year, together we were dreaming up an educational branch of their already well-established production studio.  After a brief residency back in Japan, I returned again to Bali to build my first Anagama and to launch the arts centre.

The GCAC studio was built a couple of years after, and now, four years, five kilns, a Balinese husband, twin 3-year-old girls, a house and a thriving workshop later, it really feels the Gods of this island have led me here for a reason.

GAYA

Looking out to the garden from the Gaya studio

What happens at the Gaya Ceramics and Art Centre?

Gaya Ceramic comprises a large production studio employing around 70 people who produce exquisite ceramic ware for top clients the world over, and across the street is the Ceramic Arts Centre, which is dedicated to education in clay.  There is always a lot happening at Gaya, it’s a continual cross-pollination and collaboration. At the Arts Centre itself, we fill the year with two-week workshops, two-month artist residencies, exhibitions, and a variety of weekly and private classes tailored to community needs. Each year concludes with an Empty Bowls fundraiser and Open Studio event. In between all of this are the endless activities of our own staff (who, one and all, get their hands in clay!).

Interior_GAYA

Looking into Gaya Studio from the garden

Why should someone travel half way across the world to make a pot or fire a kiln?

At Gaya, we believe that setting is everything, and that for many artists, the opportunity to immerse themselves in a different world, even for only two weeks, encourages growth, self-reflection, and a willingness to take the next step in their own work. When an artist is encouraged by a master ceramicist and surrounded by similarly enthusiastic participants, a workshop is an incredible time and place for development.  Even for those not physically traveling so far to come here, Gaya studio stands as a sanctuary for transformation: earth into Art, self into Self.

Hillary_and_Student

Hillary and workshop student

Have you witnessed this kind of creative transformation and renewal at Gaya?

Catapulting one’s artistic self into an entirely new atmosphere foments intense creative inspiration. I see this throughout the year at Gaya especially with our resident artists. Three to four times per year, we host professional ceramic artists from around the world for a two-month residency program. There is no prerequisite of what each should make or spend their time doing. It has been an incredible experience to witness each resident take in, digest and respond to all the new stimuli of Bali. For some, inspiration taps from the intricacies of a cultural philosophy so different from their own, for others, from the visual explosion of a tropical ambient, some are more self-probing and introspective about identity and place in the world, others simply allow the remove from their familiar to generate great emotion, allowing it to well up and surface through their works.

One resident artist recently said: ‘It was as if I was just supposed to be here; one bit of visual information, one cue from the culture, one conversation just falling into place and leading me into the pieces I have created.’ Another was shocked at her proficiency, having come to Gaya with an intention to build rather abstract geometric forms, she gave in to an unexpectedly arisen urge to build figurative sculpture entirely dedicated to the pure emotion of parenting. It was the first extended journey she had ever made away from her early-teen children. For each, creating in this oasis of newness amounts to a unique, and utterly inspired experience.

15271492910_93396224ee_k

‘For some, inspiration taps from the intricacies of a cultural philosophy… for others, from the visual explosion of a tropical ambient…’ Photo Vicki Grima

Let’s talk about the upcoming workshop ‘Food Meets Plate’, what are your thoughts about the relationship between ceramics and food? 

This obvious stage of interaction is one that has endlessly offered inspiration to clay artists, and yet the question remains ever unanswered, ever re-interpretable. We have run this workshop theme twice as ‘Culinary Clay’ at Gaya – both times amazing, each time improving the experience upon the last. And what better theatre to ask clay artists to perform upon than one with the heady, aromatic, gorgeous and thoroughly tropical ambient of Indonesian cuisine?

What can participants expect from this workshop?

These two intense weeks will endeavor to inspire the contemplation of the intimate relationship between food and the vessel in which it is presented – in this specific setting upon the enriching and verdant Indonesian island of Bali and in the “foodie” paradise of Ubud.  We will have inimitable opportunities to meet with, learn from, and sample the genius of many local chefs who will unveil some of the cultural and gastronomic complexities of the archipelago, encouraging expansion not only of taste buds, but also conceptual perspective of the more formal design considerations of shape, texture, colour, and scale; where the food meets the plate.

In our final ‘Manifested Meal’ we will have at last a chance to display our inspired vessels in an exhibition/feast in one of Ubud’s fabulous new restaurant venues. Timed to coordinate with Ubud’s second annual Food Festival, our finale will be on display for the public to contemplate the fruit of our labors, and to feast their eyes upon the inspiration two weeks have manifested– though the participant group will privately enjoy the meal set upon their unique vessels!

Gaya_Ceramics_Bali_hands-on_wheel

Who should come, and will the workshop suit all skill levels?

This workshop is suitable for any level of experience in clay. While beginners may be focusing on honing their skills at throwing more traditional dinner ware, more advanced ceramicists may find this an ideal opportunity to break outside their own ‘box’ to experiment widely and discover something fantastically new.  This has worked to the advantage of all in the past – veteran clay artists inspiring for and inspired by those newer to clay alike. All participants will be encouraged to explore and will be supported technically, and otherwise by the Gaya studio team.

Claire_Atkins_Sue_McGuinn_Vicki_Grima

l to r : Claire Atkins aka Pinky & Maurice, Sue McGuinn and Vicki Grima, HOT AS HECK stoking team

What else can workshop participants look forward to while we’re in Bali?

This particular workshop will be packed with explorations of everything culinary – and in Ubud, Bali, that could last a lifetime – but we will also have the opportunity to peek into some of the intricate and fascinating local ceremonial and artisanal culture, Ubud’s endless boutiques and throbbing nightlife (for such a small town!).

Thank you so much for chatting with us today Hillary, I can’t wait to see you and the Gaya crew in May!

If you would like to join Hillary and me for this incredible workshop and cultural experience, head to the workshop page now for Early Bird fees and details about securing your place. If you need more convincing, visit the blog next week when I speak to Bruce McWhinney, celebrated Australian wood-firing artist and the creator of the inspired guest house ‘Ubud ArtVilla‘, our workshop accommodation.

Filed Under: blog post Tagged With: artist, Bali, Ceramics, Claire Atkins, clay, creativity, food, Gaya, Gaya Ceramics and Art Centre, HIllary Kane, potter, travel, Ubud, workshop

January 26, 2015 by Claire Atkins 4 Comments

So good to meet you

Hello and welcome to my studio in cyberspace! I’m Claire Atkins, creator of Pinky & Maurice Ceramics.

This is my first ever blog post and so I thought, over the next few weeks we could get to know one another. I’ll share some of my stories and you can share yours and work out if this place is for you.

Claire_Atkins_Pinky-and-Maurice-ceramics-website-photo_by_Megan_Kinninment

Claire in the studio

A little bit about me. During the week I juggle studio time between a number of creative jobs, but when I’m in the studio my primary medium is clay. My work is inspired by the natural and built world, other artists, other pots, paintings, poetry, stories and music. I also paint, print and draw.

Claire_Atkins_Pinky_and_Maurice_ceramics_photo_by_Megan_Kinninment

Finding centre

Claire_Atkins_Pinky-and-Maurice-Ceramics-photo_Megan_Kinninment

Silkscreened signatures transferred by hand

Claire_Atkins_Pinky_and_Maurice_ceramics_photo_by_Megan_Kinninment

Claire_Atkins_Pinky_and_Maurice_ceramics_photo_by_Megan_Kinninment

Tiny dishes in porcelain stained the colour of Byron Bay skies

While we’ll be talking about pots and potters in the coming months, I hope this can be a place for anyone who’s interested in the creative process and cultural products of all kinds, to feel at home. And please don’t be shy to make a comment, ask a question or just get in contact and say hello.

PINKY and MAURICE CERAMICS CLAIRE ATKINS Amber Melody Photography-0318-2

Porcelain beads

claire-atkins-pinky-and-maurice-studio

Making daily marks

Thanks so much for dropping in, I’ll let you go for a wander through the pages now, but call out if you need anything, I’m just out the back learning how to drive this thing!

Filed Under: blog post Tagged With: artist, Atkins, Ceramics, Claire, clay, creative, potter, pottery, pottery wheel, process, studio

  • ETERNAL RETURN $24
  • Dinner is Served by Pinky & Maurice Contemporary Ceramics DINNER IS SERVED $50
  • Private Rituals by Pinky & Maurice Contemporary Ceramics PRIVATE RITUALS
    Rated 5.00 out of 5
    $32
  • Serve Forth Serving Bowls by Pinky & Maurice SERVE FORTH $65
  • Spooning by Pinky & Maurice Contemporary Ceramics SPOONING $15

pinkyandmaurice

Claire Atkins
We have been overwhelmed by the support and genero We have been overwhelmed by the support and generosity of our community to install the controversial signage for our play ‘SHIT’ on their lawns and front fences! Thank you! Thank you!❤️❤️❤️ #oceanshores #makethatshitpop #privatelawns #publicparks #SHIT #australianplays
Last week Byron Council caved under media pressure Last week Byron Council caved under media pressure and released promotional signs for our play they had impounded. However, unlike every other event in Byron Shire we’re not permitted to install signage for this multi award-winning Australian play along public road reserves. 
Our play, with its provocative title, is about three women who have grown up in Australia’s broken foster care system. Their story is hard to hear, but don’t silence it, these three women and thousands like them have been silenced their entire lives. We’re permitted to display event signage from private residences or businesses. Please get in touch if you live or work along a main road in Byron Shire and would like to sponsor a SHIT sign.
Our SHIT has hit a community nerve and promotional Our SHIT has hit a community nerve and promotional signage for our play has been impounded by council following complaints. Come see what all the fuss is about at The Drill Hall Theatre in Mullumbimby, 12-28 March. EVENT TIX in my profile link.
.
.
#SHIT  #shock #gasp #theylikeustobeladylike #australianplays #australiantheatre
‘Out of control girls, angry girls, nasty girls ‘Out of control girls, angry girls, nasty girls are a sight to behold. They’re terrifying, electrifying, they’re everything girls shouldn’t be, and we hate them. This is a play about three such girls, Billy, Bobby and Sam. And you’ll never forget them’
.
.
We’re in rehearsal, deep diving into Patricia Cornelius’s brilliant and brutal writing to perform in her electrifying play SHIT. Playing by public demand from 12-28 March at The Drill Hall Theatre in Mullumbimby, and reimagined by a stunning creative team, under the direction of legend Liz Chance. We sold out quickly last time, so hop on it. Event tix up there in my link tree.
.
.
#australianplays #australiantheatre #patriciacornelius #SHIT #mullumbimby #drillhalltheatre #byronbay #actor
I’ve been lucky to work on some exciting new TV I’ve been lucky to work on some exciting new TV series this year. And as much as I love acting, I love working behind the camera too. I was so happy to climb aboard this project as Art Director. COURTESY BUS is a piss-your-pants-funny Australian comedy written by Brett Stephens @brettsixsixty, starring @mandy.nolan, Nell Schofield @nellyvision, Tony Barry, @ellensbriggs, @andysaunderscomedy, Liam Olsen and @jen.kyna. Each episode begins at the end of the night, and tells the hilarious and heartfelt stories of a riotous cast on their wayward journey home. Coming soon! 

#courtesybus #aussiecomedy #bangalow #bangalowbowlo #comingsoon #pissyourpants
When a woman swears, or spits, or screams, or shou When a woman swears, or spits, or screams, or shouts, or laughs too loudly, or fights, really fights, or fucks too much and wears too much lipstick or none at all, all we want to do is lock her up or cross the street. Out-of-control women are a sight to behold. They’re terrifying, electrifying, and everything that women shouldn't be - or so we're told. This is a story about these women. Their names are Billy, Bobby and Sam, and you will never forget them.
 
After a sell-out first season, Patricia Cornelius's multi-award-winning play SHIT returns to the Mullumbimby Drill Hall Theatre by public demand on 12-28 March 2021. Starring Claire Atkins, Kate Foster and Kate Horsley. Reimagined and directed by Liz Chance, with sound design by Paul Pilsneniks and choreography by Kate Holmes. 

Tickets: $27/$24/$20 Enquiries 0420986570 
EVENT TICKETS in the link. This will sell-out. Book now.

#australianplays #patriciacornelius #SHIT
Follow on Instagram

Recent Posts

  • Jack Doherty : Living Space June 3, 2020
  • My Blu Byron May 3, 2020
  • Helle Jorgensen’s Useless Objects February 12, 2019
  • Making MOFO Pots : Serious Women’s Business July 16, 2017

Copyright © 2021 · Pinky & Maurice